Pennville, Georgia (CNN) -- A human face appeared in white paint on the end of his finger.
It sounds crazy, but the
way late folk artist Howard Finster told the story, the mysterious face
said, "Paint sacred art; paint sacred art."
The vision came to the
retired Baptist preacher in 1976 while he was working on a bicycle in
his Pennville, Georgia, repair shop. One of a lifelong string of
visions, it was just the sign he needed to devote the rest of his days
to spreading God's message through art.
Finster was 59.
"When most people are winding down, he was winding up," said Jordan Poole, executive director of Paradise Garden, a 4-acre property teeming with Finster's creations, about 90 miles northwest of Atlanta.
And more than a dozen years after his death, interest in Finster seems to be winding up again, too.
Howard Finster displayed the work of other artists alongside his own on the walls of the garden's "Rolling Chair Ramp."
He's one of the headliners in a new exhibit in
Baltimore at the American Visionary Art Museum, which bills him as
"America's most prolific self-tutored and 'on fire' artist." He's also
the star of the documentary "Paradise Garden: Howard Finster's Legacy," released this year by Art West Film.
But perhaps most
significant, there's a revival under way in the garden where he worked
frenetically, day and night, to grow towering heaps of bicycle parts and
a meditation chapel draped in whimsical bric-a-brac along with
hand-painted Bible verses, a covered "Rolling Chair" gallery, the
glimmering World's Folk Art Church and a mosaic wonderland embedded with
plastic toys, fragments of mirror, shards of colored glass, Madonnas
and more.
Paradise Garden
is located about 90 miles northwest of Atlanta in unincorporated
Pennville, Georgia. The garden is open Tuesday-Saturday from 11 a.m. to 5
p.m. and Sunday from 1 p.m. to 5 p.m. Admission is $5 for adults, $3
for seniors and $2 for children.
The documentary "Paradise Garden: Howard Finster's Legacy" is showing November 18 at 7:30 p.m. at the Goat Farm Arts Center in Atlanta.
The documentary "Paradise Garden: Howard Finster's Legacy" is showing November 18 at 7:30 p.m. at the Goat Farm Arts Center in Atlanta.
Finster was a musician, a showman and an avid artistic collaborator.
In the 1980s, he
designed album covers for R.E.M. and the Talking Heads, and charmed
audiences with his tales, songs and banjo-playing on Johnny Carson's
"Tonight Show." R.E.M.'s "Radio Free Europe" music video was filmed in
the garden.
Yet his overarching
purpose was clear, and he defined it simply: "God called me here. I'm
interested in every human being in this world," he said during a 1987
event at the garden.
"I didn't come here to
put nothin' on nobody, push nothin' on nobody. I didn't come here to
take nothin' away from nobody. I didn't come here to start some new kind
of religion.
"I come here for one
thing, and that is, I have visions of other worlds. I have visions
that's inimaginable. I have visions that I can't even tell people. And I
try, the best I can, to draw my visions," he said.
He didn't sleep much.
Finster produced 46,991 numbered works before he died in 2001 at 84. And
that figure doesn't include most of what's on view in the garden.
The jumbled property in
northern Georgia was in desperate need of attention after Chattooga
County purchased the garden in late 2011 and handed management to the
Paradise Garden Foundation in 2012.
Over the past few years,
the foundation has literally been digging the art out. The new
documentary film, directed by Ava Leigh Stewart, chronicles the process
from the beginning.
The swampy ground where
the Finster family made their home in the early 1960s had started to
reclaim some of the structures that sprouted up in the garden over the
years. With the help of more than $700,000 in grant money, the
foundation has raised and stabilized many of the garden's key
attractions.
The restoration has been a delicate balance, though.
"We went to great lengths to have it slightly decayed-looking. We don't want it to be pristine," Poole said.
A mural called the "People of Nineveh" adorns an exterior wall of Finster's former studio.
Finster and his wife,
Pauline, moved down the road to Summerville in the early '90s after
Pauline got fed up with fans turning up at all hours for an audience
with her husband. Although Finster still spent a lot of time at the
garden, it didn't get as much attention after the couple moved, Poole
said, and deteriorated after Finster's death in 2001.
Now, there's a new
visitor center with exhibition space and an audiovisual experience that
introduces guests to the "man of visions," plus new plumbing and
electricity for that unglorifed but essential museum amenity: restrooms.
The site is now welcoming about 7,000 visitors a year, Poole said.
It's not a huge number but definitely a huge spike. Visitation jumped by more than 400% between August 2012 and August 2014.
The restoration is good
for the garden, but it's also good for the unincorporated community of
Pennville and neighboring Summerville.
"It's not just to save
the place for its own sake but ... to help a community and be a part of
that community and to reawaken a community that was really and truly
almost dead just a couple years ago," said Poole, who grew up in
Summerville.
New businesses and art
galleries have opened. There's more activism around the arts, and local
business are embracing cultural tourism, Poole said.
There's still a lot of work to be done. The foundation aims to raise $900,000 for the next phase of the garden's revival.
One key goal of the next
phase's capital campaign is to rehabilitate the rotting interior of the
World's Folk Art Church, a church that Finster bought with a grant in
1982 and retopped to look like a towering wedding cake.
Despite the work ahead, the transformation is already apparent to repeat visitors.
Theresa Dean, 56, an art
teacher from Sandy Springs, Georgia, has been to the garden several
times since her first visit in 2007. She visited again at the end of
October with a group of middle school students.
There's been a "huge change" since her last visit about two years ago, she said.
"It's beautiful," Dean said. "I can tell they're still working, but it just seems like it's loved, well-loved."